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Revisiting the Oslo Peace Process and the Intifada

A conversation with Eldad Rafaeli, an Israeli photojournalist

Meir Wigoder

Shapir College and Tel Aviv University, wigoder{at}post.tau.ac.il

The interview with Eldad Rafaeli probes into the moral, political and aesthetical problems that arouse from being a ‘local’ Israeli photographer covering the Israeli-Palestinian conflict. A detailed analysis of Rafaeli’s photographs of the Palestinian side leads to a discussion of such issues as witnessing, subject-object power relations in photography, the difference between black and white and color photography, digital photography, and the way Rafaeli’s photographs testify to the failure of the Oslo peace process.

Key Words: digital photography • gaze • intifada • occupation • Palestinians

Journalism, Vol. 5, No. 4, 500-518 (2004)
DOI: 10.1177/1464884904044207
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