Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Journalism
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Wardle, C.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Monsters and angels

Visual press coverage of child murders in the USA and UK, 1930—2000

Claire Wardle

Cardiff School of Journalism, Media and Cultural Studies. Address: School of Journalism, Media and Cultural Studies, Cardiff University, Bute Building, King Edward VII Avenue, Cardiff CF10 3NB, UK, wardlec{at}cf.ac.uk

The crime of child murder is considered the most heinous and least comprehensible of all violent crimes. This study examines the visual representation of 12 high profile child abductions and murders in broadsheet and tabloid newspapers from two countries over a 70-year time frame. The body of coverage produced almost 1000 images and these were examined using a content analysis of the individual subjects of these photographs, followed by a qualitative analysis of the main patterns which emerged. The study produced two expected findings: that the coverage has become increasingly visual, and that the visuals were overwhelmingly `personal'. Within these overarching patterns, it was clear that the content of the visuals has changed over the three decades studied (the 1930s, 1960s and 1990s). In the earlier decades the visuals emphasized the role of the criminal justice system in capturing the perpetrators and bringing them to justice. In the 1990s there was a far greater focus on the victims' families, as well as the emotional responses of society as a whole: both grief for the child, and anger towards their killers and the authorities which `enabled' them to offend. I explore these changes and the possible impact this visual coverage could have on public understanding of this crime, those who commit it, and how we treat them.

Key Words: children • crime • historical • newspapers • paedophilia • photographs

Journalism, Vol. 8, No. 3, 263-284 (2007)
DOI: 10.1177/1464884907076461


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
DISCOURSE & COMMUNICATIONHome page
J. S. Knox
Punctuating the home page: image as language in an online newspaper
Discourse & Communication, May 1, 2009; 3(2): 145 - 172.
[Abstract] [PDF]